The Playwriting Initiative

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Interrobang Theatre Project in association with The Theatre School at DePaul University is proud to announce The Playwriting Initiative. It is our belief that it falls on every theater in our community to nurture new work. Our commitment to playwrights will include providing a supportive environment with necessary resources such as actors, directors, and space. 

Each season we will invite playwrights for an immersive and supportive partnership, including one graduate selected from DePaul's prestigious BFA Playwriting program. All collaborations will be tailored to meet the needs of the individual playwright as they develop their vocabulary and theatrical voice.  

The Playwriting Initiative is an invite-only program and does not accept unsolicited proposals. 

Season Nine featured playwright: Lily Rushing

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Lily Rushing is from the hot, inland metropolis known as Sacramento, CA. She is currently getting her BFA in Playwriting from DePaul University. Three of her plays, Office Romance, Desert Stories for Lost Girls, and a one-act called Lights Out were developed into staged readings as a part of the Wrights of Spring festival at The Theatre School at DePaul. Desert Stories received a full production in April 2018, directed by Ann Filmer. Her ten-minute play, The Dog, was recently commissioned by Victory Gardens and presented at their College Night. She has also worked with Sacramento Theatre Company and the School Partnership Program, putting on plays at urban schools with kids from her neighborhood, in her beloved hometown.

Testimonial from playwright/director Maeli Goren

“Interrobang Theatre Project's support for the workshop of Curves and Edges was vital to the play's development. There are very few opportunities in Chicago to fully explore the physical life of a new play before it is in first production. When creating Curves and Edges, a play in which movement and visual storytelling is as important as the text itself, I discovered as a playwright and director that I was not benefitting from holding reading after reading. I knew I had to get the play up on its feet to know what I had. The Playwriting Initiative at Interrobang allowed a courageous team of theater makers to experiment with choreography, puppetry, and visual metaphor, all while strengthening the spine and story of Curves and Edges to get it ready for an eventual first production. We shared our work-in-progress with theater professionals and community members who became part of our collaboration through curated post-show discussions. Artists so rarely get to muck around in the necessary mess of a new play without the pressure of an impending opening night. It was a true gift to give this play the space it needed to breathe and grow. Many thanks to Interrobang for nurturing new plays and emerging playwrights!”